Scagliola, a centuries-old technique once used to imitate marble and precious stone in Europian interiors, becomes here a surface for perception to wander. In the marbling, crafted from pigmented plaster and rabbit skin glue, polished to a soft sheen, forms flicker in and out of view. Among the veined blacks and whites, a familiar figure begins to surface, or perhaps dissolve. Driftnoise sits at the edge of recognition, where pattern becomes presence and noise become meaning, if only for a moment.

Made for the group exhibition ''In the Shadow of the Floater'' in The Distillery Gallery in Boston, Massachusets, curated by Virgilijs Tilks